Dangerous Khiladi

The movie begins with Bittu (Sonu Sood) planning with the local MLA Varadarajulu (Kota Srinivasa Rao) to rob (US$240 million) from Vizag Co-operative Bank. Ravindra Narayan (Allu Arjun) is a brainy individual who believes in earning quick money rather than toiling like his father Narayana Moorti (Tanikella Bharani) for every month's salary. He gets into a dispute with his father about his attitude and challenges him that he would convert  10,000 into  100,000 in quick time. He happens to meet Bittu on his way, who drops him at his destination. Ravi inadvertently reveals his plan of making quick money by betting on an IPL match and also the location of betting to Bittu and his companions on the way. However his plans turn upside down when police raid the location and is caught red-handed. During interrogation, Ravi guesstimates that Bittu could have diverted the Police, and that he is about to commit a robbery at the Vizag Cooperative Bank. He convinces ACP Raja Manikyam (Rao Ramesh) that Bittu is planning to rob the bank and both go to catch him. Bittu successfully robs the bank and his brother Laala (Shafi) takes the money to the city's dumping yard, as per Bittu's instructions, as the Police follow them. However Police catch Lala, who resists them only to be killed by Ravi. Police try to trace the money but in vain. Meanwhile Bittu gets arrested, but is rescued in transit by his sidekick Devayani (Sheetal Menon). They go to the dumping yard to collect the money but Bittu is shocked as the dumping yard is burnt to ashes. Having his brother dead and the money burnt, Bittu decides to kill Ravi.

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Raja Manikyam sends Ravi to Hyderabad from Visakhapatnam under Witness Protection Program and makes him to stay at his friend ACP Sitaram (Rajendra Prasad)'s house. ACP Sitaram is a cowardly cop who is afraid of using his gun. One day, Ravi happens to see Madhu (Ileana), a middle class girl who works with travel agent Travel Moorti (Brahmaji), an associate of Bittu. He prepares fake passports for Bittu's gang to help them escape from India. Ravi befriends Madhu and both fall in love with each other. Ravi steals Madhu's identity card which leads Sitaram and him to know all the details regarding the escape plan of Bittu, in which Madhuwould be tricked to pose as Bittu's wife, suffering from vertigo to help him escape easily. Ravi and Sitaram go after Bittu, with Sitaram of the impression that Bittu would go to airport. However, Bittu plays a trick on them and escapes through other route. Ravi, however, outwits Bittu and forces Sitaram to go in the route taken by Bittu. Ravi and Bittu confront each other and Bittu threatens to kill Madhu. However, Devayani forces Bittu to abandon Madhu as Bittu is surrounded and they escape.

Bittu vows to exact revenge on Ravi by targeting his family. He decides to kidnap Ravi's family, but before he could, Ravi shifts his family to Hyderabad. Frustrated, Bittu seeks the help of Varada Rajulu to help him escape to abroad. But Varadarajulu tells him that he is helpless in this matter. Enraged, Bittu kills him. But before dying Varadarajulu tells the truth that he and Raja Manikyam had the custody of the loot. Bittu makes a deal with Raja Manikyam and traps Ravi in a car blast with Manikyam faking his death. Ravi gets arrested but is released on bail by Sitaram. Ravi realises the foul play and also that Manikyam too is involved in the robbery. Meanwhile, Ravi's family is kidnapped by Travel Moorti. Ravi manages to save his family but not before Travel Moorti shot his father. Narayana Moorti is shifted to ICU where he prods Ravi to restore the 15 billion to the Bank.

Meanwhile, Ravi's sister is kidnapped by Devayani and Bittu shifts her to Visakhapatnam. Ravi gets to know the location of his sister through Travel Moorti and he leaves for Visakhapatnam with Sitaram. Ravi finds that the whole money is being transported in 1 of 3 containers by Bittu to the sea port. He finds out the right container and the driver of the container. He uses his sharp wit to divert the container and makes it stop before the very bank from which the money was stolen. Bittu is confronted by Ravi & Sitaram and a fight arises between Ravi and Bittu. Sitaram shoots Bittu while he tries to kill Ravi and by their last conversation, Ravi comes to know the location of his sister and Devayani and saves his Sister while Sitaram apprehends Devayani. The film ends with Sitaram transforming into a tough cop and Ravi having a change of mind and starting to believe in hard work.

Source: http://en.wikipedia.org/

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Kaala Bazaar-Underworld 2010 Full Movie

Ram (Jagapathi Babu) is a restaurant owner in Bangkok. Ram leads his life happily with his wife Vidya (Vimala Raman) and adopted son Chaitanya. One day, psychopath killers attempt to molest a female worker at Ram"s restaurant. To protect her, Ram shoots them. This rescue turns Ram a hero before the media.

Gurunarayana (Kota Srinivasa Rao) shocks to see Ram who is quite similar to Durga (Jagapathi Babu), an arch-rival, who was declared dead long ago. Gurunarayana's son Shankar Narayana (Kota Prasad) leaves for Bangkok along with their lawyer Saab (Tanikella Bharani) to find out whether he is Ram or Durga. Shankar Narayana kidnaps Chaitanya. This irks Ram and opens up his identity by injuring Shankar Narayana and killing a person just in front of Vidya.

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Lawyer Saab takes away Shankar Narayana back to India. Vidya deserts Ram as he concealed his identity that he was once a killer and goon. But the Bangkok police officer of Indian origin (Jeeva) convinces her that Durga turned Ram and leading a normal and peaceful life only to keep himself off from bloodshed. Then Ram reveals his flashback to Vidya. At a time when it is going to be a happy reunion, again Gurunarayana's men attack Ram and his family and Chaitanya gets badly injured.

In order to put a fullstop to the bloodshed, Ram decides to go to India as Durga and clear off the rivalry with Guru Narayana. He sends Vidya and Chaitu to the police officer's house and returns to India. What happens next should be seen on-screen.

Source: http://en.wikipedia.org/

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Jupiter Ascending

It’s dense, interesting, weird and funny, but what it’s all wrapped around is another “Chosen One” story that really feels drawn out and convoluted, crumbling into something tiresome and tedious.

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Where the science-fiction genre is concerned, it’s not hard to at the very least appreciate the ambition of the storytelling. It takes an honest, extra layer of creativity to create a reality not bound by the restrictions of our own, and it can be a delight to watch a perfect mixture of detailed universe building mesh with smart, unique storytelling. Of course, this requires delicate balance, as a dip too far one way finds a convoluted mess, and a dip in the opposite direction creates something that ultimately feels hollow and incomplete. It is sadly the former trap to which Andy and Lana Wachowski’s Jupiter Ascending falls victim. 

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In a similar vein to what they were able to accomplish with previous sci-fi stories like The Matrix and Cloud Atlas, Jupiter Ascending is a narrative set in a vivid and comprehensive world. There are legions of soldiers who have had their DNA spliced with animals – like the wolf-infused Caine (Channing Tatum) or the bee-like Stinger (Sean Bean). There are galaxy-spanning businesses where worlds are held like long-term investments. There’s even intergalactic low-level bureaucracy that has all varieties of individuals waiting in lines and shuffling from one department to the next. It’s dense, interesting, weird and at times funny, but what it’s all wrapped around is another “Chosen One” story that really feels drawn out and convoluted, eventually crumbling into something tiresome and tedious – albeit consistently beautiful.

The Wachowskis do legitimately make good choices in the casting department, as both Mila Kunis and Channing Tatum make for fun, charismatic leads to take us through the story. Kunis stars as Jupiter Jones, an illegal alien living with her Russian immigrant family and working as a housekeeper living in modern day Chicago. As we see happen oh so often at the cinema, however, her life changes in an instant when she meets Caine (Tatum), an intergalactic bounty hunter. Jupiter is not only made aware of life on other planets, but also that she is the genetic recurrence of one of the most powerful women in the galaxy, and stands to literally inherent the Earth now that she has passed away. It’s a simple and rather familiar plot, but through a first act of enjoyable “awakening” material and sky-shredding action scenes,Jupiter Ascending holds its own. 

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It’s with the introduction of the trio of central villains that everything begins to fall apart – which is a sincere problem considering that they wind up completely driving the entire story. These are the three surviving members of the Abrasax family -- Balem (Eddie Redmayne), Titus (Douglas Booth) and Kalique (Tuppence Middleton) – and the sons and daughter of the woman whom Jupiter Jones is a genetic equal. Each of them has a personal desire to take control of the Earth – which is alternately described as being extremely valuable and just a single piece of a much larger business – but also each take their own place doing more harm to the movie than good. Kalique winds up being mostly useless to the story, simply providing huge amounts of exposition and then disappearing; Titus merely feels like a stall in the narrative, serving as what is really a fairly pointless obstacle; and Balem simply feels overcooked in every sense, with Redmayne giving a highly bizarre, scenery-chewing performance full of needless affectation that makes him stick out like a sore thumb (really making you wonder what kind of off-base directions he was being given by the Wachowskis). As Jupiter Ascending’s plot encounters these characters, the film begins to degrade faster and faster, exploring needless and unnecessary elements of the sci-fi world that do more subtraction than addition. 

At this point in their careers, Andy and Lana Wachowski have become better known for their visual flash and style, and it serves the movie well. Their flair is apparent from the costume and makeup work (the idea of DNA splicing works magic in this department) to the production design, and it all serves to provide Jupiter Ascending with a unique feel (even when it wears references to movies like Brazil on its sleeve). Immense credit also goes to the visual effects teams, who not only render some fantastic air battles and spaceships, but also expansive alien environments that do their part to make the audience feel like they’re being taken to a different world. All of this spectacle doesn’t make up for the fact that character motivations are at times completely dubious, and that the third act drags on far too long, but it does help. 

It’s hard to really begrudge a film like Jupiter Ascending, both for its creative scope and in that it is one of the few-and-far-between female-led action movies, but it is equally hard to validate it beyond those elements, it’s aesthetics, and the casting of the leads. There is perhaps a better feature that exists partially on the cutting room floor – explaining some of the more bizarre plot developments/holes – or one that could have been made with just a few tweaks to the screenplay. But the movie that will be hitting theaters this week is best described as unfortunate. 

source: http://www.cinemablend.com/

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Love, Rosie

Love, Rosie takes the typical romantic comedy, adds some drama and an extra dose of laughs, and results in a film that's as surprising as it is enjoyable to watch.

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At one point or another, we find ourselves looking at a dear friend of the opposite sex in a different light. It might be over time, it might be all at once, but either way it happens at least once to us all. Love, Rosie is a film about that one time, and the 12 years that follow in the complicated, surprising, and sometimes upsetting life of a woman who let that friend get away. While the trailers market a completely different movie altogether, the reality is that Love, Rosie is an endearing film that's arrived just in time for some appropriate Valentine's Day loving.

Rosie Dunne (Lily Collins) and Alex Stewart (Sam Claflin) have known each other since they were kids, and their relationship is poised on the knife edge of falling into something more romantic. Of course, as all good romantic dramedies will have you believe, things aren't as easy as they seem; and the two are thrown together and pulled apart over a decade. The greatest obstacle being that the stars never seem to align in the right order for them to be together. Eventually, something has to give, and it looks like Rosie just might be the one to make the final call in this game of love and friendship. 

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As I said before, the trailers for Love, Rosie completely sell the film as a stock romantic comedy. What actually ended up happening was that the film managed to win me over with a combination of British charm, clever writing, and well-executed performances. Make no mistake about it, this film does contain the recommended amount of rom-com cliches, especially with the would-be lovers constantly missing each other, the sassy best friend, and a couple of moments of obligatory speechifying.

But what sets Love, Rosie apart from all other films of its ilk is the fact that it doesn't try to take an easy, emotionally wrought shortcut. True, the film does still breeze through 12 years and a revolving door of relationship statuses for Rosie and Alex. But it doesn't feel like it's played for anything less serious than it is. What yields is a more realistic and weighted film that plays with convention, while knowing when to honor it.

Of course, without the young, brisk talent of Lily Collins and Sam Claflin, Love, Rosie would have been a bore to watch, as a film that plays on both sides of the spectrum of comedy and tragedy requires a steady hand to navigate the waters properly. Both Collins and Claflin are steady and sure, as they engage in a romantic pas de deux that puts their emotional range to the test. It's easy to see why Collins' was Snow White in Mirror Mirror and why Claflin is pretty much the only actor that could ever play The Hunger Games' Finnick Odair.

Love, Rosie is the perfect film for Valentine's Day, as it contains enough love and heartbreak to truly allow you to be thankful for whomever you have in your life. However, it's also a perfect movie to watch in honor of Single's Awareness Day, as it has two captivating leads that can be easily swooned over at the drop of a hat. Most importantly, it's a surprisingly good movie that takes a genre that's easily abused, and makes it into something much more human in the process. Richard Curtis' finest has some company in Love, Rosie, as this is a movie you could find yourself returning to annually. 

Source: http://www.cinemablend.com/

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Cosmic Sex Bengali Movie Official Trailer

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